Italian Empire in Africa

By MSW Add a Comment 17 Min Read

Mussolini, for whom the French surrender was a heaven-sent opportunity to implement his long-term plans for a vast Italian empire in Africa. In 1940 he asked the Germans for Corsica, Tunisia, Djibuti and naval bases at Toulon, Ajaccio and Mers-el-Kebir on the Algerian coast, and he was planning to invade the Sudan and British Somaliland. Mussolini’s flights of fancy extended to the annexation of Kenya, Egypt and even, in their giddier moments, Nigeria and Liberia.8 Hitler’s response was frosty, for at that time his Foreign Ministry was preparing a blueprint ‘to rationalise colonial development for the benefit of Europe’. An enlarged Italian empire was not part of this plan.

Fascism had always been about conquest. As a young misfit spitefully living on the margins of society, Mussolini had convinced himself that ‘only blood could turn the bloodstained wheels of history’. This remained his creed: violence was a valid and desirable means for a government to gets its own way at home and abroad. ‘I don’t give a damn!’ was the slogan of Mussolini’s Blackshirt hoodlums, and he applauded it as ‘evidence of a fighting spirit which accepts all the risks’. Violence was essential for Italy to attain both its rightful place in the world and the territorial empire that would uphold its pretensions. Yet Mussolini’s projected empire was not just about accumulating power: he promised that it would, like its Roman predecessor, bring enlightenment to its subjects. Italians were fitted for this noble task for, as the Duce insisted, ‘It is our spirit that has put our civilisation on the by-ways of the world.’

Cinema informed the masses of the ideals and achievements of the new Rome. A propaganda short of 1937 entitled Scipione l’Africano blended past and present glories. There was footage of Mussolini’s recent visit to Libya, where he is seen watching a spectacular enactment of Scipio’s victory over Carthage with elephants and Italian soldiers dressed as Roman legionaries. It was followed by scenes of a mock Roman triumph alternated with shots of the new Caesar, Mussolini, inspecting his troops. There are also images of babies and mothers surrounded by children as a reminder of the Duce’s campaign to raise the birth rate, which would, among other things, provide a million colonists for an enlarged African empire.

Fascism’s civilising mission was graphically portrayed in the opening sequence of the 1935 propaganda film Ti Saluto, Vado in Abissinia, produced by the Fascist Colonial Institute. Against a soundtrack of discordant music there is grisly footage of shackled slaves, a baby crying as its cheeks are scored with tribal marks, a leper, dancing women, an Abyssinian ras (prince) in his exotic regalia, the Emperor Haile Selassie on horseback inspecting modern infantrymen and, to please male cinemagoers, close-ups of naked girls dancing. Darkness and grotesque images give way to light with the first bars of the jaunty popular song of the film’s title, and there follows a sequence of young, cheerful soldiers in tropical kit boarding a troopship on the first stage of their journey to claim this benighted land for civilisation. Newsreels celebrated the triumphs of ‘progress’: one showed a Somali village ‘where the machinery imported by our farmers helps the natives to till the fertile soil’, and in another King Victor Emmanuel inspects hospitals and waterworks in Libya. In the press, Fascist hacks flattered Italy as ‘the mother of civilisation’ and ‘the most intelligent of nations’.

Progress required Fascist order. Within a year of Mussolini’s seizure of power in 1922, operations began to secure Libya completely, in particular the south-western desert region of Fezzan. Progress was slow, despite aircraft, armoured cars and tanks, and so in 1927 Italy, like Spain, reached for phosgene and mustard gas. Under Marshal Rodolfo Graziani, Italian forces pressed inland across the Sahara, herded rebels and their families into internment camps and hanged captured insurgents. The fighting dragged on for a further four years, and ended with the capture, trial and public execution in 1931 of the capable and daring partisan leader, Omar el-Mukhtar. Like Abd el-Krim, he became a hero to later generations of North African nationalists: there are streets named after him in Cairo and Gaza.

Somalia too got a stiff dose of Fascist discipline. Indirect rule was abandoned, and the client chiefs who had effectively controlled a third of the colony were brought to heel by a war waged between 1923 and 1927. The bill swelled Somalia’s debts, which were slightly reduced by a programme of investment in irrigation and cash crops, all of which were subsidised by Rome. Italians were compelled to buy Somalian bananas, but their consumption merely staved off insolvency. The flow of immigrants was disappointingly small: in 1940 there were 854 Italian families tilling the Libyan soil and 1,500 settlers in Somalia.

Having tightened Italy’s grip over Libya and Somalia, Mussolini turned to what was, for all patriots, the unfinished business of Abyssinia, where an Italian army had suffered an infamous defeat at Adwa in 1896. Fascism would restore national honour and add a potentially rich colony to the new Roman Empire, which would soon be filled by settlers.

Known as Ethiopia by its Emperor and his subjects, Abyssinia was one of the largest states in Africa, covering 472,000 square miles, and it had been independent for over a thousand years. It was ruled by Haile Selassie, ‘Lion of Judah, Elect of God, King of Kings of Ethiopia’, a benevolent absolutist who traced his descent to Solomon and Sheba. His autocracy had the spiritual support of the Coptic Church, which preached the virtues of submission to the Emperor and the aristocracy. One nobleman, Ras Gugsa Wale, summed up the political philosophy of his caste: ‘It is best for Ethiopia to live according to ancient custom as of old and it would not profit her to follow European civilisation.’

Nevertheless, that civilisation was encroaching on Abyssinia and would continue to do so. In 1917 the railway between French Djibuti and Addis Ababa had been opened; among other goods transported were consignments of modern weaponry for Haile Selassie’s army and embryonic air force (it had four planes in 1935), and European businessmen in search of concessions. The Emperor was a hesitantly progressive ruler who hoped to achieve a balance between tradition and what he called ‘acts of civilisation’.

Frontier disputes provided Mussolini with the pretext for a war, but he had first to overcome the hurdle of outside intervention orchestrated by the League of Nations. Abyssinia was a member of that body which, in theory, existed to prevent wars through arbitration and, again in theory, had the authority to call on members to impose sanctions on aggressors. The League was a paper tiger: it had failed to stop the Japanese seizure of Manchuria in 1931, and economic sanctions against Italy required the active cooperation of the British and French navies. This was not forthcoming, for neither power had the will for a blockade that could escalate into a war against Italy whose army, navy and air force were grossly overestimated by the British and French intelligence services. Moreover, both powers were becoming increasingly uneasy about Hitler’s territorial ambitions and hoped, vainly as it turned out, to enlist the goodwill of Mussolini. An Anglo-French attempt to appease Mussolini by offering him a chunk of Abyssinia (the Hoare-Laval Pact) failed either to deter him or win his favour. Interestingly, this resort to the cynical diplomacy of Africa’s early partition provoked outrage in Britain and France.

Neither nation was prepared to strangle Italy’s seaborne trade to preserve Abyssinian integrity, and so Mussolini’s gamble paid off. The fighting began in October 1935, with 100,000 Italian troops backed by tanks and bombers invading from Eritrea in the north and Somalia in the south. Ranged against them was the small professional Abyssinian army armed with machine-guns and artillery and far larger tribal levies raised by the rases and equipped with all kinds of weapons, from spears and swords to modern rifles.

The course of the war has been admirably charted by Anthony Mockler, who reminds us that, despite the disparity between the equipment of the two armies, the conquest of Abyssinia was never the walkover the Italians had hoped for. In December a column backed by ten tanks was ambushed in the Takazze valley. One, sent on a reconnaissance, was captured by a warrior who stole up behind the vehicle, jumped on it and knocked on the turret. It was opened and he killed the crew with his sword. Surrounded, the Italians attempted to rally around their tanks and were overrun. Another tank crew were slain after they had opened their turret; others were overturned and set alight, and two were captured. Nearly all their crews were killed in the rout that followed and fifty machine-guns captured. The local commander, Marshal Pietro Badoglio, was shaken by this reverse and struck back with, aircraft which attacked the Abyssinians with mustard-gas bombs.

As in Morocco, gas (as well as conventional bombs) compensated for slipshod command and panicky troops, although the Italians excused its use as revenge for the beheading in Daggahur of a captured Italian pilot after he had just bombed and strafed the town. Denials rather than excuses were offered when bombs were dropped on hospitals marked with red crosses.

Intensive aerial bombardment and gas swung the war in Italy’s favour. In May 1936 Addis Ababa was captured and, soon after, Haile Selassie went into exile. He was jeered by Italian delegates when he addressed the League of Nations in Geneva, and was cheered by Londoners when he arrived at Waterloo. He remained in England for the next four years, sometimes in Bath, where his kindness and charm were long remembered. In Rome an image of the Lion of Judah was placed on the war memorial to the dead of the 1896 war; Adwa had been avenged. Mussolini’s bombast rose to the occasion with declarations that Abyssinia had been ‘liberated’ from its age-old backwardness and miseries. Liberty took odd forms, for the Duce decreed that henceforward it was a crime for Italians to cohabit with native women, which he thought an affront to Italian manhood, and he forbade Italians to be employed by Abyssinians.

In Abyssinia Italians assumed the role of master race with a hideous relish. Efforts were made to exterminate the Abyssinian intellectual elite, including all primary school teachers. In February 1937 an attempt to assassinate the Viceroy Graziani prompted an official pogrom in which Abyssinians were randomly murdered in the streets. Blackshirts armed with daggers and shouting, ‘Duce! Duce!’ led the way. The killings spread to the countryside after Graziani ordered the Governor of Harar to ‘Shoot all – I say all – rebels, notables, chiefs’ and anyone ‘thought guilty of bad faith or of being guilty of helping the rebels’. Thousands were slaughtered during the next three months.

The subjugation of Abyssinia proved as difficult as its conquest. Over 200,000 troops were deployed fighting a guerrilla war of pacification. Italy’s new colony was turning into an expensive luxury: between 1936 and 1938 its military expenses totalled 26,500 million lire. In the event of a European war, this huge army would deter an Anglo – French invasion and, as Mussolini hoped, invade the Sudan, Djibuti and perhaps Kenya, while forces based in Libya attacked Egypt. Viceroy Graziani felt certain that Britain was secretly helping Abyssinian resistance and Mussolini agreed, although he wondered whether the Comintern might also have been involved.

By 1938, his own secret service was disseminating anti-British propaganda to Egypt and Palestine via Radio Bari. In April 1939, alarmed by the flow of reinforcements to Italian garrisons in Libya and Abyssinia, the British made secret preparations for undercover operations to foment native uprisings in both colonies. At the same time, parties of young Italians, ostensibly on cycling holidays, spread the Fascist message in Tunisia and Morocco, and Jewish pupils were banned from Italian schools in Tunis, Rabat and Tangier. Africa was already becoming embroiled in Europe’s political conflicts.

Outside Germany and Italy, European opinion about the Abyssinian War was sharply divided: anti-Fascists of all kinds were against Mussolini, while right-wingers tended to support him on racial grounds. Sir Oswald Mosley, whose British Union of Fascists was secretly underwritten by Mussolini, dismissed Abyssinia as a ‘black and barbarous conglomeration of tribes with not one Christian principle’. Lord Rothermere, owner of the Daily Mail, urged his readers to back Italy and ‘the cause of the white race’ whose defeat in Abyssinia would set a frightening example to Africans and Asians. Evelyn Waugh, who was commissioned by Rothermere to cover the war, confided to a friend his hopes that the Abyssinians would be ‘gassed to buggery’.

Such reactions, and the moral insouciance of Britain and France, shocked educated Africans in West Africa. The Abyssinian episode had tarnished the notion of benevolent imperialism cherished in both nations, and seemed to condone views of Africans as a primitive people, beyond the pale of humanity as well as civilisation. In the words of William Du Bois, an American black academic and champion of black rights, the Abyssinian War had shattered the black man’s ‘faith in white justice’. Harlem blacks had volunteered to fight, but had been refused visas by the American government. Du Bois believed that their instincts had been right, for in the future, ‘The only path to freedom and equality is force, and force to the uttermost.’

By MSW
Forschungsmitarbeiter Mitch Williamson is a technical writer with an interest in military and naval affairs. He has published articles in Cross & Cockade International and Wartime magazines. He was research associate for the Bio-history Cross in the Sky, a book about Charles ‘Moth’ Eaton’s career, in collaboration with the flier’s son, Dr Charles S. Eaton. He also assisted in picture research for John Burton’s Fortnight of Infamy. Mitch is now publishing on the WWW various specialist websites combined with custom website design work. He enjoys working and supporting his local C3 Church. “Curate and Compile“
Leave a comment

Leave a Reply Cancel reply

Exit mobile version