The Battle of Zonchio

By MSW Add a Comment 31 Min Read

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The Battle of Zonchio (1499) by an unknown Venetian artist.

The Venetians had a fortress (castle) on the headland built upon an ancient Greek fortress, it is known as Palaiokastron. The naval Battle of Zonchio took place off of Cape Zonchio from 12 to 25 August 1499.

Flagship of Kemal Reis.

The year 1499 was destined to be a cataclysmic one in the annals of Venetian history. It was tracked month by month in the diaries of two Venetian senators: the banker and merchant Girolamo Priuli, obsessive about the fiscal state of the Republic, and Marino Sanudo, whose forty-year record provides a vivid description of Venetian life; a third chronicler was the galley commander Domenico Malipiero, the only one to report from the front line.

They recorded an aggregation of malign events. The year started badly and went downhill. Venice was deeply entangled in the affairs of the terra firma, and money was tight. At the start of February, the banks of the Garzoni family and the Rizo brothers failed. In May, the bank of Lipomano went down; the next day, when the bank of Alvise Pisani opened, “with a huge roar, a mighty crowd of people came running to the bank to get their money.” The Rialto was in turmoil. Priuli felt this to be extremely damaging:

… because it was understood throughout the world that Venice was hemorrhaging money and there was no money in the place, since the first bank to fail was the most famous of all and it had always had the greatest credibility, so that there would be a complete lack of confidence in the city.

In this climate, with rumors of the Turkish menace becoming louder, even the matter-of-fact Venetians were susceptible to superstition. An extraordinary aerial combat was observed in Puglia between vultures and crows; fourteen birds were picked up dead, “but more vultures than crows,” reported Malipiero. “God willing that this … is not an omen of some evil between Christians and Turks!” More premonitions followed. With news of a Turkish battle fleet growing by the day, a new captain-general of the sea was elected in March. At the ritual blessing of the battle standard in Saint Mark’s Basilica, Antonio Grimani held the admiral’s baton the wrong way up. Old men recalled other such instances and the disasters to which they had led.

Grimani was a money man, a fixer with political ambitions. He had made his fortune in the spice markets of Syria and Egypt. His astuteness was legendary. “Mud and dirt became gold to his touch,” according to Priuli. It was said that, on the Rialto, men attempted to find out what he was trading in and followed suit, like aping a successful share dealer. Grimani had proved himself to be physically brave in battle, but he was not an experienced naval commander and had no knowledge of maneuvering large fleets. In the banking crisis of the early months of 1499, he got the job, which he undoubtedly saw as a stepping-stone to the position of doge, by astutely offering to arm ten galleys at his own expense and advancing a loan of sixteen thousand ducats against the state salt trade. He set up the recruiting benches on the quay in front of the doge’s palace, the Molo, with a gaudy display of showmanship—“with the greatest pomp,” according to Priuli. Dressed in scarlet, he invited the enlisting of crews before a mound of thirty thousand ducats heaped up in five glittering piles—a mountain of gold—as if to advertise his golden touch. Whatever the techniques, Grimani was highly successful in the organization of the fleet. Despite shortages of men and money, and outbreaks of plague and syphilis among the crews, by July he had assembled off Modon the largest maritime force Venice had ever seen. Grimani was talked up as “another Caesar and Alexander.”

There were, however, hairline cracks in these arrangements. The Republic had the right to commandeer the state merchant galleys for war service. In June, all these galleys, already auctioned out to consortia for the mude to Alexandria and the Levant, were requisitioned and their patròni (organizers) given the title and salary of galley captains. This was not popular; it was indicative of the fraying of group loyalty between the concerns of the state and the commercial interests of sections of a self-serving noble oligarchy. Patriotism to the flag of Saint Mark was being put under strain. Severe punishments were proclaimed for noncompliance: Patròni who did not assent would be banished from Venice for five years and fined five hundred ducats. There were still those who did not obey. Priuli believed, perhaps with hindsight, that Venice was being led toward disaster. “I doubt but that this glorious and worthy city, in which our nobility pervert justice, will through this sin suffer some detriment and loss and that it will be brought to the edge of a precipice.” Over the summer, with all merchant activity suspended, the price of Levantine cargoes—ginger, cotton, pepper—started to rise. The demands of naval defense were starting to stress the city’s commercial system.

The news from Constantinople got bleaker. “With what great and frightening power does Turkish power resound across land and sea,” wrote Priuli. In June, all the Venetian merchants in the city were arrested and their goods confiscated. The customary penitential church services were held in the parishes of the lagoon. Meanwhile Gritti’s luck had run out. A messenger dispatched by land with an unencoded message was intercepted and hanged; another was impaled on the way to Lepanto. Word got back to the city to arrest the merchant; he was soon in a gloomy dungeon on the Bosporus under threat for his life.

It was reported that the Turkish fleet had passed out of the Dardanelles on June 25, while a large army had set out for Greece at the same time. Doubtless some kind of pincer movement was intended. As the fleet worked its way around the Peloponnese, many of the impressed Greek crew ran away. Soon Grimani learned that the objective was either Corfu or the small strategic port of Lepanto at the mouth of the Gulf of Corinth. When the Ottoman army showed up outside the walls of Lepanto in early August, both the objective and the tactics became clear. The walls of Lepanto were substantial, and trundling cannon over the Greek mountains was not an option. The task of the Ottoman fleet was to deliver the guns; that of the Venetians, to prevent them from doing so. On the same day, the senate learned that Gritti was still alive.

The fleet that had sailed out of the Dardanelles in June had been prepared for battle at a moment of change in naval tactics. Sea warfare was traditionally a contest between oared galleys, but by the late fifteenth century, experiments were under way in the use of “round ships”—sail-powered, high-sided vessels known as carracks, traditionally merchant vessels—for military purposes. The Ottomans had constructed two massive vessels of this type. Like most innovations in their shipyards, these were probably adapted from Venetian models and were the work of a renegade master shipwright, one Gianni, “who having seen shipbuilding at Venice, had there learned the craft.” These ships, with their high stern and bow castles and steepling crow’s nests, were enormous by the standards of the day. According to the Ottoman chronicler Haji Khalifeh, “The length of each was seventy cubits and the breadth thirty cubits. The masts were several trees joined together.… The maintop was capable of holding forty men in armor, who might thence discharge their arrows and muskets.” These vessels were a hybrid species, snapshots in the evolution of shipping: As well as sails, they had twenty-four immense oars, each pulled by nine men. Because of their enormous size—the estimate is that they displaced 1,800 tons—they could be packed with a thousand fighting men and could, for the first time, carry substantial quantities of cannon able to fire broadsides through gunports. The Ottomans believed their two talismanic vessels would be invulnerable to Venetian galleys.

Bayezit had been thorough in the development of his navy: He had done more than just build the ships. Seeking expertise in naval matters, he had recruited Muslim corsairs from the Aegean to his naval command—privateers who plundered Christian vessels in the name of holy war and were skilled both in practical ship handling and open-sea warfare. Two experienced corsair captains, Kemal Reis and Burak Reis, already well known to the Venetians for raids on their shipping, were in the fleet now making its ponderous way around the coast of southern Greece. This injection of expertise gave the sultan the confidence to push his fleet west into the Ionian Sea, the threshold of Venice’s home waters.

The Ottoman fleet, though immense, was of variable quality. There were in all around 260 ships—including sixty light galleys, the two mammoth round ships, eighteen smaller round ships, three great galleys, thirty fuste (miniature galleys), and a swarm of smaller craft. As well as sailors and oarsmen, the great galleys and round ships carried a large number of janissaries, the sultan’s own crack troops. The giant round ships each held a thousand fighting men. This armada probably consisted of thirty-five thousand men in total.

Grimani’s fleet was smaller. It numbered ninety-five ships—a mixture of galleys and round ships, including two carracks of their own of more than a thousand tons, carrying both cannon and soldiers. The Venetians had recently employed squadrons of heavy carracks to hunt down pirates, but they had never before brought together such a large mixed fleet of oared and sailing ships. Grimani had about twenty-five thousand men. Despite the discrepancies in fleet size, he was supremely confident. He knew from the Greek sailors that he had more heavy ships, both carracks and great galleys, which could shatter his opponent’s line. He wrote to the senate accordingly: “Your excellencies will know that our fleet, by the Grace of God, will win a glorious victory.”

In late July, off the southwestern tip of Greece, Grimani made contact with the Ottoman fleet between Coron and Modon and began tracking its progress, seeking the opportunity to attack. The world’s two largest navies—a total of 355 ships and sixty thousand men—moved in parallel up the coast. It quickly became apparent that the Turks had no interest in battle; their mission was to deliver cannon to Lepanto, and they acted accordingly, hugging the coastline so tightly that some of the vessels ran aground and the Greek crews deserted. On July 24, the Ottoman admiral took his fleet into the shelter of Porto Longo on the island of Sapienza. It was a place of misfortune in Venetian history. It was here that Nicolò Pisani, Vettor’s father, had been routed by the Genoese 145 years earlier.

In Venice, people waited anxiously. Priuli perceived a world in ominous turmoil: “In all parts of the world now there are upheavals and warlike disturbances, and many powers are on the move: the Venetians against the Turks, the French king and Venice against Milan, the Holy Roman Emperor against the Swiss, in Rome the Orsini against the Colonesi, the [Mamluk] sultan against his own people.” On August 8, he noted an unsettling rumor from quite another source, like the dull vibration of an earthquake on the far side of the world. Letters from Cairo, via Alexandria, “from people coming from India, assert that three caravels belonging to the king of Portugal have arrived at Aden and Calicut in India and that they have been sent to find out about the spice islands and that their captain is Columbus.” Two of these had been shipwrecked, while the third had been unable to return because of the countercurrents and the crew had been forced to journey overland via Cairo. “This news affects me greatly, if it’s true; however I don’t give credence to it.”

Grimani, meanwhile, had been waiting for the Turkish fleet to push on from Sapienza. When it did so, he hung his ships out to sea and continued tracking it from headland to headland in a game of cat and mouse. In the hot summer days, the breeze dies in the middle of the day off the Greek coast; the captain-general was forced to await the advantage of a steady onshore wind to bear down on his prey. His moment seemed to have come on the morning of August 12, 1499, as the Ottomans pulled clear of the bay the Venetians called Zonchio into a stiff onshore breeze.

Grimani now had the target within his sights; the long line of enemy ships was strung out along miles of open water in front of him and to leeward. He was faced with some unique difficulties in ordering his ships—the combination of sail-powered carracks, heavy merchant galleys, and light but faster war galleys was tricky—but he drew up his ships in line with established practice: the heavy vessels—the sailing ships and great galleys—in the vanguard to shatter the enemy line; the lighter, racing galleys behind, ready to dart out as their opponents scattered. He had given clear written instructions to the commanders to advance “at sufficient distance [so as] not to get entangled or break oars, but in as good order as possible.” He made it clear that men would be hanged for booty hunting during the battle; any captains who failed to engage the enemy would also be strung up. Such orders were standard before battle, but perhaps Grimani had got wind of some dissent from the patròni of the requisitioned merchant galleys. The clarity of his orders would later be disputed. Domenico Malipiero considered them to be “riddled with flaws”; Alvise Marcello, commander of all the round ships and a man with something to hide, declared that the orders had been altered confusedly at the last minute. Whatever the truth, Grimani had just hoisted a crucifix and sounded the trumpets for the attack when his composure was ruffled by the unbidden arrival of an additional detachment of small ships under their commander, Andrea Loredan, an experienced hands-on seaman, popular with crews.

Loredan was in fact guilty of a breach of discipline. He had deserted his post at Corfu to share the glory of the hour. Grimani was irritated at having the attack disrupted; he was also put out at being upstaged. He reproved the newcomer for flouting orders but decided to let him lead the charge in the Pandora, one of the Venetian round ships, accompanied by Alban d’Armer in another. These were the largest ships in the fleet, each about 1,200 tons. Loredan had also come with scores to settle. He had spent considerable time hunting the corsair Kemal Reis; he now believed that he had his prey in sight, commanding the largest of the sailing ships built by Gianni; its captain was in fact the other corsair leader, Burak Reis. Excited cries of “Loredan! Loredan!” rang across the fleet as the seaman watched their trophy ships closing on the invulnerable 1,800-ton floating fortress.

What ensued was a signal moment in the evolution of naval warfare, a foretaste of Trafalgar. As the three superhulks closed, both sides opened up with broadsides from their heavy cannon in a terrifying display of gunpowder weaponry: the roar of the guns at close range, the smoke and spitting flashes of fire astonished and unnerved those watching from the other ships. Hundreds of fighting troops, protected by shields, massed on the decks and fired a blizzard of bullets and arrows; forty feet higher in the crow’s nests, crested by the lion flag of Saint Mark or the Turkish moon, men fought an aerial battle from top to top, or hurled barrels, javelins, and rocks onto the decks below; a swarm of light Turkish galleys worried the stout wooden hulls of the Christian round ships that reared above them. Men struggled to climb the sides and fell back into the sea. Despairing heads bobbed among the wreckage.

In contrast, the other Venetian front-line commanders hardly moved. The vanguard of the Christian fleet seems to have been gripped by a terrible indecision at the appalling spectacle before them. Alvise Marcello, the captain of the round ships, captured one light Turkish vessel and withdrew—though Marcello himself would give a much more dramatic account at the end of the day. Only one of the great galleys entered the fray under its heroic captain, Vicenzo Polani. It was set upon by a swarm of Turkish galleys in a battle that lasted two hours. According to Malipiero, in the smoke and confusion, “everyone thought it lost; a Turkish flag was hoisted on her, but she was stoutly defended and massacred a large number of Turks … and it pleased God to send a breath of wind; she hoisted her sails and escaped from the clutches of the Turkish fleet … maimed and burned; and if, the other great galleys and round ships had followed her in, we would have shattered the Turkish fleet.”

Almost none of the other great galleys and carracks did. There was no response to Grimani’s frantic trumpet calls. The command structure collapsed. Orders were given and disobeyed or countermanded; Grimani failed to lead by example, while many of the more experienced captains were locked in the rear. The oarsmen in these galleys behind urged the heavy ships forward with shouts of “Attack! Attack!” When this failed to provoke a response, howls of “Hang them!” rang across the water. Only eight ships entered the fray. Most were the lighter vessels from Corfu, vulnerable to gunfire. One was quickly sunk, which further dampened enthusiasm for the fight. When Polani’s ship emerged, scorched, battered, but miraculously still afloat, the other great galleys followed her to windward.

Meanwhile the Pandora and Alban’s ship continued to grapple with the carrack of Burak Reis. The three ships crashed together so that the men were fighting hand to hand, ship to ship. The battle continued for four hours until the Venetians seemed to be gaining the advantage; they clasped their opponent with grappling chains and prepared to board. Exactly what happened next is unclear; the ships were locked together, unable to separate, when fire broke out on the Ottoman vessel. Either by chance or as an act of self-destruction—for Burak Reis was pressed hard and close to despair—the powder supply in the Turkish ship exploded. The flames ran up the rigging, seized the furled sails and roasted the men in the foretops alive. The blackened stumps of the masts crashed to the decks. Those below were either instantly engulfed in flames where they stood or hurled themselves over the side. The watching ships observed this living pyramid of fire in rigid horror. It was maritime catastrophe on a new scale.

But the Turks somehow held their nerve. While their indestructible battleship, carrying a thousand crack troops, ignited in front of them, the light galleys and frigates scuttled about rescuing their own men from the debris and executing their opponents in the water. On the Christian side they just watched, aghast. Loredan and Burak Reis disappeared in the inferno; Loredan, according to legend, still holding the flag of Saint Mark. More painfully, there was no effort to rescue the survivors. The captain of the other large carrack, d’Armer, escaped from his burning ship in a small boat but was captured and killed. “The Turks,” wrote Malipiero miserably, “picked up their own men in long boats and brigantines and killed ours, because we on our part showed no such pity … and so was done great shame and damage against our Signoria, and against Christianity.”

And so it had been. The Battle of Zonchio had not been lost. It had just not been won. Venice had flunked the chance to stem the Ottoman advance. In psychological terms August 12 was an utter catastrophe. Cowardice, indecision, confusion, reluctance to die for the flag of Saint Mark: The events at Zonchio inflicted deep and long-lasting scars on the maritime psyche. The disaster at Negroponte could be put down to a poor appointment or the inadequacy of a single commander; the debacle at Zonchio was systemic. It revealed fault lines in the whole structure. It is true that the senate had repeated its mistake and appointed an inexperienced man—largely for reasons of cash—but Grimani was not solely responsible. By the end of the day, with the smell of gunpowder still on their hands and already perceiving hideous disgrace, the major participants were drafting reports.

They all contained conditionals to the effect of “if someone else had done (or not done) something, we would have won a glorious victory.” Grimani’s came, by proxy, from his chaplain. It blamed the defeat on the unwillingness of the noble merchant-galley captains, and collective funk: “All the merchant galleys, with the exception of the noble Vicenzo Polani, kept to windward and backed off.… The whole fleet with one voice cried, ‘Hang them! Hang them!’ … God knows they deserved it, but it would have been necessary to hang four-fifths of our fleet.” He reserved his special ire for the aristocratic patròni of the merchant galleys: “I’m not going to hide the truth in code.… The ruin of our land has been the nobles themselves, at odds from first to last.”

Alvise Marcello wrote a highly self-serving account, blaming the confusion of the orders and depicting his own involvement in dramatic terms: He went alone into the melee and had his ship surrounded. “In the bombardment, I sent a vessel to the bottom with all hands; another came alongside; some of my men jumped aboard and cut many of the Turks to pieces. In the end I set fire to it and burned it.” Finally, with huge stone balls smashing into his cabin, wounded in the leg, with his companions being mown down around him, he was forced to withdraw. Others were more scathing of this feat: “He went in and out, and said he’d taken a ship,” muttered the chaplain. Domenico Malipiero, one of the few to emerge with his reputation unscathed, put much of the blame on Grimani’s confusions. The ordinary seamen believed that Grimani had sent Loredan to his death purely out of jealousy.

At the day’s end, the Venetian fleet withdrew out to sea; the battered Ottoman fleet inched on around the coast toward the Lepanto harbor, protected by a contingent of the army following on land. The running fight continued, but Venetian morale was gone and the failure at Zonchio would prove expensive. There were several more ineffectual jabs to prize the enemy out into open water; fireships were driven into the enemy fleet, a few galleys were sunk, but the bulk of the Ottoman armada proceeded intact. At the entrance to the Gulf of Corinth, the Ottoman fleet had to risk open water in its final run into Lepanto. The Venetians were presented with a last chance; this time they were accompanied by a French flotilla. A few brave ships engaged the Turks, sinking eight galleys, but the rest, still apparently traumatized by the fireball at Zonchio, again flunked an encounter with heavy cannon. The French, seeing the confusion, also refused to engage. Their verdict on Venetian arrangements was deeply humiliating: “Seeing that there was no discipline, they said that our fleet was magnificent, but they had no expectation it would do anything useful.” The chance was gone. “If all our other galleys had attacked, we would have taken the Turkish armada,” bewailed Malipiero once again, “as sure as God is God.” Instead, the bulk of the Ottoman fleet rounded the last point toward Lepanto. Out to sea, the Venetians awaited the inevitable. “All good men in the fleet—and there were many, broke down in tears,” Malipiero recalled. “They called the captain a traitor, who had not the spirit to do his duty.”

Within the town, the beleaguered garrison had already beaten off several assaults by the Ottoman troops and expectantly watched the sails pricking the western horizon. They rang the church bells with joy at the approach of a Venetian fleet. As the ships grew on the water, they realized, to their horror, that their flags were not lions but crescent moons. When they learned that they carried siege guns, the town promptly surrendered.

Grimani had hanged no one, reprimanded none of the noble commanders.

By MSW
Forschungsmitarbeiter Mitch Williamson is a technical writer with an interest in military and naval affairs. He has published articles in Cross & Cockade International and Wartime magazines. He was research associate for the Bio-history Cross in the Sky, a book about Charles ‘Moth’ Eaton’s career, in collaboration with the flier’s son, Dr Charles S. Eaton. He also assisted in picture research for John Burton’s Fortnight of Infamy. Mitch is now publishing on the WWW various specialist websites combined with custom website design work. He enjoys working and supporting his local C3 Church. “Curate and Compile“
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