VENICE AND THE PAPACY

By MSW Add a Comment 2 Min Read
VENICE AND THE PAPACY
A Venetian fleet. They are the only surviving artistic representations of the Fourth Crusade from the Middle Ages. The crusade is depicted in the mosaics from a decidedly Venetian point of view closely following the story told by the Venetian Martino da Canal in the 13th century.
The excommunication of Venice on the Fourth Crusade marked the end of an exceptionally close relationship with the papacy. Venetians did most of their business in the East, but remained devoted to the church of Rome, supporting it during various disputes. In 1077, Pope Gregory VII spoke of the “uniquely close relationship” between Venice and Rome, and in 1177 the republic helped to end a struggle between the pope and the German emperor.
Venetians were also strong supporters of the crusades-indeed, no state in Europe so often and so vigorously took up the cross. Venice’s fleet was the largest single contribution to the First Crusade, and in 1122 the doge in person led thousands of Venetians to the Holy Land, where they crushed the Fatimid navy and helped to conquer Tyre. That Innocent III should turn to Venice for help with the Fourth Crusade was unsurprising, but circumstances outside anyone’s control made him regret that choice.
By MSW
Forschungsmitarbeiter Mitch Williamson is a technical writer with an interest in military and naval affairs. He has published articles in Cross & Cockade International and Wartime magazines. He was research associate for the Bio-history Cross in the Sky, a book about Charles ‘Moth’ Eaton’s career, in collaboration with the flier’s son, Dr Charles S. Eaton. He also assisted in picture research for John Burton’s Fortnight of Infamy. Mitch is now publishing on the WWW various specialist websites combined with custom website design work. He enjoys working and supporting his local C3 Church. “Curate and Compile“
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